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How Do You Photograph Fire Performers Like a Photojournalist?

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Q – Hi Adrian! If you could give just one tip on how to photograph fire performers, what would it be?

A – Learn photojournalism and sports photography

What makes a photo amazing?

As photojournalists, we are taught that powerful images revolve around the human element and their struggle within the environment around them. In those images, the human expends energy to overcome an obstacle. Success or failure is is irrelevant — what matters is the emotion captured in that moment

So, in photojournalism, what makes a great photo? It takes just three simple elements:

  • Effort – A human being struggling
  • With Something – A ball, a baby, a partner, an animal, themselves, whatever
  • Against Adversity – An opponent, a sidewalk, rain, Donald Trump, racism, you get the idea

That’s all.

In the case of a great sports photograph, the most memorable images capture, in an single instant, a three-way marriage of:

  • The athlete’s EFFORT
  • WITH SOMETHING (typically, a ball)
  • While “overcoming ADVERSITY
Fire Performer Photography Part One 05
2011-03-12 Western Mass Div I High School Basketball Finals at the University of Massachusetts Amherst: Amherst vs Longmeadow

In the example photograph, those elements are demonstrated by the combination of the basketball player taking a shot for Amherst High School, off-balance, while nearly triple-teamed as her teammate and the crowd behind her anxiously watches. The photograph also leaves you with potential unanswered questions:

Does her effort achieve the implied goal by making the basket or does she miss? (Nailed it)

Did her team’s effort achieve a win or loss? (They won)

Finally, images from both the winning and losing side(s) help to frame the story. To hijack something the narrator for “Wide World of Sports” once described, the best images capture “…the thrill of victory and the agony of defeat.”

Conceptually, there is absolutely no difference in elements when photographing fire-performers in action than when photographing a basketball player. A powerful photograph is created, in an instant, when the performer is caught in a three-way dance combining:

  • The performer’s EFFORT
  • WITH SOMETHING (their prop)
  • in the face of ADVERSITY (the inherent danger, performance failure, a photographer getting too close, heckling crowd, etc)

WARNING – DO NOT ATTEMPT

I shouldn’t have to say this, but here we are.

I am an experienced fire performer photographer. Photos taken with fire involved professional fire performers with proper fire safety training, equipment, and procedures in place.

The use of fire comes with inherent risks to life, limb, or property. Any action you take based on any information on this website is strictly at your own risk and I will not be held liable for any loss or damages you caused to yourself or others because you chose to use fire in any way.

TL; DR: Don’t be a bogan wook. Leave the siiiiiiiiick fire trails and fire plumes to the professionals and support them by cheering their performances in person!


Fire Performer Photography Part One 06
Julie Dion in a backbend buzzsaw at the Quincy Quarry, Quincy, MA.

In the case of this photograph, those elements are depicted in the effort it takes for Julie to:

  • Bend backwards
  • Spin a prop on fire
  • Maintain balance, and composure, while in an unnatural position in the dead of winter

What are some possible unanswered questions that you could consider as a result of Julie’s photo?

Finally, what about the three-way challenge that exists when a photographer:

  • Makes EFFORT
  • WITH SOMETHING (their gear)
  • against ADVERSITY (their own level of experience, technical limitations, environmental challenges, performers, other people, etc)?

Finally, photojournalists thrive in chaotic environments through a near psychic ability to use their equipment under difficult conditions. Flames don’t ignite, your camera settings are way off, batteries die, lens focusing motors fail, and people get in your way.

Shit happens. So what?

What matters is nailing the shot.

  • Fire Performer Photography Part One 02
  • Fire Performer Photography Part One 03
  • Fire Performer Photography Part One 04

Here’s some questions to think about before your next photography event:

  • How quickly can you adjust settings without looking away from the viewfinder?
  • How many batteries do you have charged and ready to go?
  • Do you know where they are?
  • If, for some incredibly irresponsible reason, you decided to partake in intoxicants at a weekend festival, could you still use your camera through sheer muscle memory?

Have you ever heard of the concept of “Safety Third?”

Embracing it can separate you from the rest of the photographers hovering around the fire performer’s circle.


More Fire Performer Photography Tips

If you liked this blog post and want to learn how to photograph fire performers, I’ve been compiling my best fire performer photography tips for you to explore.

I hope you find them to be useful!


Want to see more of my photography?

My portfolio features the best of my headshot, portrait, event, and boudoir photography.

Adrian Feliciano

View posts by Adrian Feliciano
Adrian Feliciano is a creative on-location portrait, headshot, boudoir, and nightlife event photographer specializing in photographing fire-performers, dancers, and other artists around Boston, MA. Adrian also runs a shop over at Americanbogan.com in order to teach Americans a new word and he happens to make one hell of a delicious Filipino adobo. You can always ask him for the recipe whenever you're ready to try something new for dinner.
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